entertainment and social messaging are a very satisfying combination, and it is with this combination that cinema depicts a perfect reflection of our daily lives with each new movie . Through cinema, we encounter characters with whom we can identify, who have a familiar atmosphere, and in whom themes of universal understanding can be seen.
However, sometimes filmmakers want to reflect a reality that we often like to ignore or forget, and so in a special sequence they take us head-on with the fears of reality and human nature through their sadistic portrayal.
Cinema can be a shared experience, a personal journey, or an escape from reality, but the 10 films that we will mention below dispel this pleasant feeling and confront us with real monsters.
127 Hours
127 Hours, a completely new depiction of being trapped between a rock and a rough space, is ultimately a terrifying test of endurance and endurance that a man endures to survive. When Aaron Ralston (James Franco) falls into a crevice in a solo mountaineering, he finds himself at the bottom of a ravine with his hand stuck between a rock and the wall of a ravine. He is completely trapped and alone in the heart of the desert. No one knows where he is, where he has gone or what has happened to him, and that is why Ralston's fate is in his own hands.
As it happens, director Danny Boyle forces the viewer to watch a horrific scene in which Ralston cuts his hand off his forearm two inches using a slow blade. One by one, Franco cuts off the arteries, veins, tendons, and especially the nerves in his hand, and shockingly depicts this torturous but real reality.
Combining one of the best but scariest soundtracks by providing stressful situations for Ralston's last survivor throughout the film's narrative is the cutting-edge sequence in the film, a sequence that feels as good as you can see with all your flesh and blood.
Se7en
David Fincher's Se7en is the horror story of a serial killer who commits his own murders inspired by the seven major sins. The hunt for this killer by the classic combination of a reckless young detective (Brad Pitt) and his clever and experienced colleague (Morgan Freeman) turns into a cat-and-mouse game with very devastating consequences. But these painful and pitiful cries of "What in the box?" It's not Brad Pitt who deserves the film to be on the list and to have a difficult sequence to watch. No, in fact, the main sequence of this film, which is unbearable to watch for the audience, is related to Victor, a charismatic serial killer in the story, named John Doe (Kevin Spacey), receives the punishment of. It is very difficult to watch his decaying corpse, which has been bedridden for more than a year, especially the skeleton that is covered with wounds all over them.
The main surprise of this sequence is that he is suddenly shaken after the police investigation, which shows that he has been alive for 365 days while his body is decaying in the room. Although the serial killer of the story did his best to keep the man alive, it is an unexpected jumper, but the most frightening aspect of this sequence is the viewer realizing the horrible torture he has suffered during this time. When detectives try to interrogate him, they find that he has cut out his tongue and eaten, and that his brain has completely disappeared due to the torture he has endured over the past year.
The Godfather
Those who have not seen the mafia masterpiece of Francis Ford Coppola have no doubt at least heard its name. The Godfather, immortalized in the history of cinema and welcomed by audiences and critics around the world, is considered by many to be the best film in the mafia genre, and there are significant reasons for this view. The film tells the story of the old father of a mafia family named Don Vito Corleone (Marlon Brando) who wants to hand over the helm of his criminal syndicate to his reluctant son Michael (Al Pacino) while watching a growing war between old families over Values, rules and alliances.
One of these conflicts is because of the "offer you can not reject" and the logic is so shocking that rejecting the offer can be the last thing on the mind. Jack Waltz (John Marley) wakes up and beheads his precious male horse, who is placed in his bed, and thus receives a clear message from Don Vito to hire Johnny Fontaine (Al Martino) for his latest film. This twisting sequence is very dramatic, violent and painful, a sequence that has maintained its credibility over the years to the point that it is the most famous sequence of this well-known franchise.
Misery
Oscar-winner Katie Bates as Annie Wilkes, something between a fan and an obsessive, is one of the most shocking psychological changes from a benevolent philanthropist to a sadistic jailer in the blink of an eye. When a severe storm causes the author of a romance novel, Paul Sheldon (James Kahn), to crash, it seems that he is fortunate enough to be there to save him from his unfortunate fate, a woman trained by a nurse with a large house who Gives it to his beloved author to rest and heal. Of course, this is not the case, because Annie, as mentioned, is a staunch supporter of Paul and his own novels and wants to read his manuscripts for his latest novel in the Misery story series.
The point is that Annie has uncontrollable anger and wants to be in complete control of the bridge. Using the inability of the unfortunate writer, Annie makes requests to Paul for the text of his new story, forcing him to comply with these requests, which leads to one of the most horrific punishments and tortures in the history of cinema. When Paul escapes from the room where he is being held, he immediately puts the pieces of wood between his legs and starts chopping his legs with a hammer. This very violent reaction comes at once, which makes Beethoven's quiet slow retreat and piano singing make it even scarier than before.
American History X
American History X is a shocking movie that is hard to watch. In this film, Edward Norton plays a stubborn neo-Nazi, the leader of a white racial supremacist group and an open-minded expert named Derek Viniard in a racist society, a character with very extremist Nazi ideology. The story of the film revolves around his younger brother Danny (Edward Forlang) who imitates his older brother in the crudest and most disturbing way possible. After being sent to prison and confronted with the horror of his way of life and thoughts, Derek tries to find Danny and before it is too late to change the course of his life and line of mind, but what sends Derek to prison is that. Which actually shapes the dark and dark atmosphere of the film.
When two young black men try to steal Derek's car, he catches one of the thieves before he escapes. Derek is blinded by anger and racism, and the helpless man is the only spectator in the scene in which Derek forces the failed thief to bite the table on the street and then crush him with a blow to the head. It is the sadistic joy and pleasure of understanding this horrific murder that makes it difficult and scary to watch this sequence, as well as the very unpleasant atmosphere of the film, which ends with another painful sequence.
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share your opinions about other harsh scenes in the movies ;)
My god..these are reall shocking.. But i want this kind of movies. I wanna try to watch them as well