There are many options for human cultural creativity, the diversity of civilizations and the development of societies.
And the highest creativity was what was in art. The noblest of arts is that which transcends cultures and societies, it is not limited by language, it is not prevented by belief or hindered geographically.
Theater is classified as the starting point for the collection of audiovisual arts
And visual depiction is the expressive end for the purposes of symbolic communication.
Raymond Shwiti ...... He started his artistic career in the field of theater, then lived the color and painting in order and at all, and he continued with creativity, creation, production and generation.
So that the painting became tame, full of all the details of the meaning and connotations of the symbol.
After exhibitions he set up in various parts of the earth from Delhi to New York, he returns again to bloom in the spring of Riyadh with a new group and a renewed school of a unique character, such as the uniqueness of his personality, authentic, strong connections and creativity, as all his works were born in the name of silent hymns.
In Kokesh Post, we were able to visit his exhibition in Nayla's gallery, as well as the hidden backstages to demonstrate creativity and the birth of the new line at Raymond Showty School.
We had various surprises and many astonishment, as the change extended and matured in the building and the meaning and connotations were also not without caress.
As if the paintings were a direct translation of the new ideas, convictions and concepts that are taking place.
It appeared smoothly and clearly to the observing reader, as for the scenes of these works for the first time, they will be taken in front of the dazzling work
It is perplexed how Raymond Shwiti was able to insert the straight line and the regular space within the fluctuation of color and its gradation with this symmetry and consistency, which made the intimacy overwhelm the entity of the painting to become a vehicle of time wandering between parallel worlds as the two red lines
And overlapping worlds superimposed as the beam detects a scene from the hall room, passing through the balcony flowers to reach the deck of the ship anchored at the harbor
She crosses the glass of her cabin and documents the leaps of dolphins beside the small boat of an old fisherman.
If we go back to trace the line of light that regulates the movement of growth in Raymond Schwetti's career
We find that bud from the trellis of jasmine, which tends towards the sun in winter, then diverges towards the right and forms this bush, then this bud deviates towards the shade of a perennial pine in its garden in summer, making another bush in the north that appears at first glance random and irregular, but moves away a little until it absorbs the entire scene and sees the creativity of formation and balance Building
The bearer of jasmine lights are like stars studding the sky of his life.
Most of the artists who are committed to artistic production develop the topics of their work and the issues they address in the proposal and vary from period to period.
But few artists have developed styles and techniques of execution, especially by painting.
An art expert who tracks Raymond Shwetti's feather touches and notes
Technology growth and development, from brush strokes to blending and color selection mechanisms.
What makes this strange is that Raymond Shwetti is not one of the artists devoted to artistic work such as painting, even if he does not move away from the astronomy of art in general.
But the development of techniques calls for constant attendance and constant practice, while Raymond Shweti can leave the board on its holder in a moment of labor for nearly five years, discussing with it and arguing with it like a chess player until it opens an entrance for him to manifest his vision on its body.
At another moment in time, the horses of inspiration flow from Wadi Abqar, provoking effort and imagination, transferring the whiteness of the canvas to the colors of the spectrum from end to end, then blowing on it like Orpheus, and boasting of a light derived from the filaments of the sun sent by Ra.
What was evident in Raymond Shweti's new collection, this time is the mixture of specific mathematical logic with straight lines and framed spaces with infinite chromaticity of infinite degrees of diversity and contrast between color, its shades and its complement.
Even for the reader to think that the goal of the painting is to activate the work of the left and right lobes of the brain in order to complete the vision of meaning and meaning through this color subtraction and its composition manifested throughout the work space.
What adds to the confusion of the competent reader is that the uniqueness of the works moves to their parts so that you can take any part of the painting to find its balance and integration with structural details that qualify it for independence as a work that has the components of a complete artistic entity.
Creatures by nature are always based on color as a sign and meaning.
Ripe fruits have a different color, and the fajah is a different color.
Even the parts of the body infer their correctness from their faint ones through their color.
Insects and reptiles know their venom from their peace by their color.
The color is always present, the main meaning, even if it is absent from our awareness and has been used
Psychology has implications for it commercially, industrially and in marketing.
The warning and warning have its colors, and the stirring of craving for food has its colors, and the display of strength and luxury also has its colors.
How can we cancel the connotation of color and its meaning in the artist's work?
The transition from the concrete materialist with the learning of the human child to the semantic abstract,
It was the turning point that marked the beginning of his awareness and understanding of mental science.
This has not been done on the technical level yet, although plastic art is a shift towards absolute abstract connotation.
What the artist produces in terms of color spaces and compositions and formations of meaning is absent
The reader receives it with an ambiguous understanding that turns towards the contents and contexts that concern himself and no one but him through his immediate emotional state at this time interval.
Despite all of this subjectivity in color presentation, the indications directed towards spaces of cultural societal presentation locally and internationally cannot be overlooked.
Beautiful article