A craft work is an applied form of art, a social and cultural product reflection the inclusive nature of folk imagination. A craftwork, who is usually does not bear the signature of its maker, retains a personal touch. A craftwork is shaped by the interaction of individual creativity and community aesthetics, utility function and human valuy. It's distinguished by its maker's desire to locate himself in the wider and ever changing culture aspire of the community, and subsequently of the market. But even factory determine the form and content of the craft work. The exquisite terracotta dolls from dinajpur dating back to early 1940s that form a part of the Bangladesh national museum collection were mostly bought from village fairs by some patron. They were no doubt meant to be consumer items,but the dolls reflect community aesthetics is such a manner that the market has not been able to impose it's own preference on them.
A craftwork is a dynamic object always evolving and Always abreast of changing test and preference. It also represents a way of life and a culture flavour. Therefore changes in lifestyle and material conditions are expected to have their impact on craft works and their production. but Saturn forms,shades,styles and aesthetic performance change little over time, suggesting does the craft work can function as a stable significance of community values and desire over time. Mechanical and production take wear this feeling of assurance and stability and the some of community that the handmade craft evokes.
In the clash between ixpectations of pure,handmade craftwork and the market need of mechanically production craftwork, two contrasting view imerge: on the the one hand traditionalist content that he society needs to preserve The authenticity and natural of craft work and their associations with democracy and environment. and the other promoters of machine production are aware that the machine has helped restore the Apple of crafts due their cheaper production costs.
There are no easy solutions to the problems the graph for face in our time. Crafts that are despairing can and should be e revided, even where the machine has made the prospect difficult. And crafts that's are still practiced can be sefeguarded and made to consolidate their position further. This can be done by providing grants, loans, assistance and their support to the producer, and helping them fine of comfortable customer base. but more importantly, craft or can be then and successfully marketed throughout the country and beyond as their are always buyers and users of handmade productions who feels strong traction towards culture productes.
Thanks for everyone's