"This is the first, key frame in a sequence I call The Chase. What you’re seeing is a seagull taking off after an Oystercatcher to steal its food. Scene recognition kicked in and the Z 9 tracked at 20 frames per second. The entire chase is tack sharp, beginning to end.”
@Obong in February 2022
No matter the furry friend, cats and dogs present as a challenging subject since they're on the go. Shot with NIKKOR Z 28-75mm f/2.8 lens with the Nikon Z 6II to capture my pet portraits.
Shadows, texture and a touch of color! Shot with NikonZ7II + NIKKOR 35mm 1.8S
Six more weeks of winter? I’m making my own springtime. Swipe to see a winter vs. spring edit, created in NX Studio. 📸 : Z 6 + Mount Adapter FTZ + AF-S NIKKOR 50mm f/1.8G
150 individual captures were needed to assemble the final image of this Hibiscus flower, and each exposure was automatically made using the Focus Shift feature of the Z 7II camera. Nikon Z 7II | Nikkor Z MC 105mm f/2.8 VR S |
Wedding and family photography. A trio shoot with Me, Murtaza and Insiya Ezzy bringing the romantic vibes to this engagement shoot with Nikon Z 6II + NIKKOR Z 24-70mm f/2.8 S 🌊
This photographic image of dried wheat and flowers is reminiscent of darkroom photograms—objects placed on light-sensitive paper and briefly exposed to light. Nikon Z 9 | Nikkor Z MC 105mm f/2.8 VR S | 1/200 @ f/11
Obsessed with the rendering quality of the Nikon Nikkor Z 105mm f/2.8. Such a beautiful combination of sharpness and smooth character rolled into one.
Is it too early for spring flowers? Don't tell this crocus. Photographed with my Nikon Z 9 and Nikkor Z 105mm f/2.8. This lens is just so, so smooth and beautifully sharp wide open. My favorite combo for a close up lens.
My mom snuck her 35mm into the Queen show in 1979 when she was 17, there was no way to tell if the photos would even turn out this is one of the three she got. the smoke even looks like the queen
There were so many times, especially in the couple years, where I didn't think I'd make it to five years as a music photographer. This industry is hard, that's the simple truth of it. Hard to stand out, hard to get paid. 10 years was always the goal when I started. Now it's 20.
16 years ago to the day, I took my camera to a concert on a whim. Never in my wildest dreams did I imagine where my camera would take me. So thankful for the experiences I've had and the friendships I've made along the way. I was just a fan with a camera then. I still am now.
My best friend @bdproctor invited me to a show. I had no idea who the bands were, so I bought my Nikon D70 and 50mm f/1.4 along. BR-549 headlined and a little band called the Avett Brothers were the openers, playing to about 50 people. Here's an image from that first concert.
Flight was canceled, but I guess there are worse places to be stuck for another day.
Oh Yeah, see what arrived today! 😊
iPhone photo from Ash Cave in Hocking Hills (while carrying a backpack full of cameras and lenses and tripods…. 😂😂😂 )
Always charging camera batteries….
Every Time I Die at the Pageant in St. Louis, 2008. I still remember the incredible energy of this show, ending with Jordan Buckley jumping into pit at the finale.
This tiny wheat spike was illuminated by a 72” soft box to produce extremely soft light, and the result is reminiscent of photograms made in the darkroom. Nikon Z 9 | Nikkor Z MC 105mm f/2.8 VR S | 1/200 @ f/4
If we could soar through the sky alongside this tulip tree moth, I can only imagine the spectacular view and the quiet solitude. Nikon Z7 | F-Mount Adapter FTZ | AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | 1/160 @ f/5.6
A quick adjustment to camera white balance rendered the sky just a bit more blue while the spot metering inside the camera helped to make an easy silhouette exposure. 3500K White Balance | RAW Capture | ISO 200 | 1/8000 @ f/8
This picture is made up of 86 captures using Focus Shift Mode on the Nikon Z7 to control which parts of the dandelion are in focus. Nikon Z7 | FTZ | Micro-Nikkor 105mm f/2.8G |
This image dried wheat spikes is comprised of 12 automatic captures using the Z 9 in Focus Shift mode. Once blended together, a perfectly focused image was the result. Nikon Z 9 | Nikkor Z MC 105mm f/2.8 VR S | 1/8 @ f/11
Japanese apricot blossoms with the Nikon Z 9 and 105mm f/2.8S Micro Nikkor, wide open. Crispy details and smooth defocusing characteristics. This lens is just clean, clean, clean. The shot vs the 100% crop.
The fine texture and defined edges of these wheat spikes seemed perfect for some experimentation with light, contrast, and color. Nikon Z 9 | Nikkor Z MC 105mm f/2.8 VR S | 5500K White Balance | ISO 400 | 1/25 @ f/16
This cheese grater is curved—and made from reflective metal—so a bit of colorful paper reflected in the surface turned it into a kitchen gadget landscape of hues. Nikon Z 7II | Nikkor Z MC 105mm f/2.8 VR S | 5750K White Balance | RAW Capture | ISO 400 | 1/25 @ f/11 |
Out of all these 6 tips to speed up a photo workflow, incorporating @PhotoMechanic is my top suggestion. *Every* photographer I know who uses PM uses the phrases "life saver," "game changer" and the word "love" to describe it because it's so true. https://ishootshows.com/photo-mechanic-fastest-editing-software/
Following my friends in manifesting (on 2/22/22) success and growth (personally and professionally) as a concert & portrait photographer 💛 here’s to the future tours, bands, friends, etc 🍻
Carrying a proper camera inspires you to see through the eye of a lens. These are reflections of reflections, within reflections. A single exposure, of three different subjects, reflecting one another in a window display.
The ideal camera is one that removes any friction between the picture you imagine, and the picture you create. That’s the camera to have. Nikon Z 7II | Nikkor Z 24-70mm f/2.8 S | ISO 400 | 1/1600 @ f/4.0 |
Some colorful lighting, shallow depth of field, a razor-sharp lens, and the textures of mesh strainer in combination to create a stainless steel landscape. Nikon Z 7II | Nikkor Z MC 105mm f/2.8 VR S | ISO 80 | 1/200 @ f/4.5 |
Three elements and a razor-sharp macro lens blending into a colorful image: A box of artists pencils, an interesting background, some controlled lighting, and the new Nikkor Z MC 105mm f/2.8 VR S lens.